Tom Yaya Kange: Highland Voices
For at least 10,000 years, the high mountain valleys of New Guinea have been the most densely populated part of the island. But because of the difficulty of reaching them, they remained isolated from the outside world until the 1930s. Among the most striking features of the region's cultural life are its musical forms of storytelling.
Composed and performed by specialist bards, these “sung tales” are remarkable for their virtuosity and for the range of variation found among regional genres and individual styles. The focus of this website is one of those genres—tom yaya kange—which is found near the southeastern corner of this map. The site includes audio recordings of five tom yaya kange performances, each by a different bard, annotated line-by-line translations, and a brief plot summary of each story.
The website also includes a detailed introduction to the tom yaya kange genre, resources and publications on sung-tale traditions of the Papua New Guinea Highlands, and a video of a tom yaya kange performance (see below).
Composed and performed by specialist bards, these “sung tales” are remarkable for their virtuosity and for the range of variation found among regional genres and individual styles. The focus of this website is one of those genres—tom yaya kange—which is found near the southeastern corner of this map. The site includes audio recordings of five tom yaya kange performances, each by a different bard, annotated line-by-line translations, and a brief plot summary of each story.
The website also includes a detailed introduction to the tom yaya kange genre, resources and publications on sung-tale traditions of the Papua New Guinea Highlands, and a video of a tom yaya kange performance (see below).
Peter Kerua performing the opening lines of a tom yaya kange.

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